Graduate Program

Music

Degree Name

Master of Arts (MA)

Semester of Degree Completion

2006

Thesis Director

Peter Hesterman

Thesis Committee Member

Peter Loewen

Thesis Committee Member

Patricia Poulter

Thesis Committee Member

Dennis Hayslett

Abstract

Musicians and audiences will benefit significantly if conductors take on the role of editor and arranger. Though one might consider the process daunting, writing quality, professional arrangements is made easier if the conductor employs modern technological tools in the creation of new derivative works. By becoming editor and arranger, the conductor can tailor editions and arrangements to fit the needs of his or her ensembles for little more than the cost of paper. Further, by distributing these works, all conductors have the opportunity to enrich their ensembles with new arrangements and editions.

This thesis presents this case and outlines in detail how a conductor of any ensemble can easily make new original editions or arrangements. The process will be demonstrated in chapter one, in which I write a new editon of Juan del Encina's Mas vale trocar, arranged for a choir of young men, guitar and keyboard. In chapter two, these same techniques will be applied to a larger and more detailed wind ensemble arrangement of two Renaissance dances. Both examples clearly demonstrate that by utlizing basic technology, a conductor can create new works that will enrich his or her ensembles, audiences and the greater musical community.

Included in

Music Commons

Share

COinS