Degree Name

Master of Arts (MA)

Semester of Degree Completion

1978

Thesis Director

Carl Wilen

Abstract

This is primarily a report of personal investigation by the author though some relevant references are used.

The work is divided into two parts representing two conceptions of the altered image bearing plane.

Essential to both conceptions is the use of the image bearing plane for its creative potential, rather than as a passive image support.

The modulated plane as image producer is discussed in part one with reference to its use for literal imagery and self derived imagery. Also mentioned are related printmaking, papermaking, plastic forming, and additive low relief techniques.

Part two deals with spatially related planes as image supports and as sources of imagery. Topics covered are angular intersecting planes, the split plane, and superimposed planes.

Also included are discussions on the author's approach to materials which emphasized the use of all materials in a manner harmonious with the physical structure of the individual material.

A brief overview of modern art tendencies in relation to the image bearing surface is included.

As the third dimension is employed in all graphic works mentioned, the relationship between two and three dimensional artistic displines is explored.

A case is made for the acceptance of these works as having a natural aesthetic base.

Several works and the techniques of their production are described.

Four color and six black and white illustrations are included.

90 pages.

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