This page collects the digitized full text of Masters Theses from the Department of Music at Eastern Illinois University.

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Theses from 2020

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A Combined Language: The Application of Poly-stylistic Techniques to Concerto Sonata for Alto Saxophone and Piano, James Calderon

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Effects of Exposure to World Folk Music on Preference for Unfamiliar Music in Elementary General Music, Jessica Doty

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Music Identity and Listening Preferences of Students in High School Performing Ensembles, Caitlin Harris

Theses from 2017

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Examining the Effects of Student-Centered, Project Based Teaching on Students With and Without Special Needs in an Elementary General Music Classroom, Charity J. Ozier

Theses from 2016

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Silence for Orchestra: Incorporating Silence in Musical Language through Theories of Expectation, Kari Darby

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Transferring Writing Skills to a 3rd Grade Music Classroom, Megan A. Wilson

Theses from 2015

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Survey and Analysis of Four Works for Wind Band, Bryan Chesi

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An Analysis of Four Compositions for Wind Band, Michael R. Pond-Jones

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Characteristics of a Modern Ballet: The Adoption of Sonic Vocabulary and Textual Treatment in The Earth Without Water (2014), Mark Luke Rheaume

Theses from 2014

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Idiomatic Horn Writing: The Formal and Historical Contexts of Four Horn Pieces, Elizabeth A. Danner

Theses from 2013

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Recital Analysis of Sonata for Two Pianos in F minor, Op. 34b, Allegro non troppo, by J. Brahms, Pictures at an Exhibition, by M. Mussorgsky, and Danzas Argentinas, by A. Ginastera, Natalia Cernaianu

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The Art of Jazz Guitar, Steve Kaiser

Theses from 2012

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Expanding the jazz repertoire: Reimagining modern popular music, Chad Edwin Mathis

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Johannes Brahms' Liebeslieder Walzer op. 52 and Hector Berlioz' "Hungarian march" from La damnation de Faust, Sarah Todd

Theses from 2011

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Jazz language in Bernstein song: Recital analysis, Pamela Teicher Machala

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An Analysis Of Selected Band Works With Composer Perspective, Christopher Lawrence Mroczek

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An Exploration Of Japanese Percussion Composers Through Performance And Analysis, Patrick James Rheingruber

Theses from 2010

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Triad fantasy: Score and analysis, Wayne A. Buck

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Cross-Age And Peer Tutoring In The Music Classroom, Christopher B. Gelb

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A Comparison Of Computer-Assisted And Peer-Partner Practice In Treble-Staff Note Recognition, Pammala K. Goodenough

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Childe Rowland: Fairy tale to tone poem: an original composition and analysis, David Trent Mason

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Beautiful torment: Interpreting dissonance and text-painting in selected sacred choral works of William Byrd and Carlo Gesualdo, Janet M. McCumber

Theses from 2009

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Combinations: An exploration of variety in a jazz program, Pierre Olivier David

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Inclusion And Adaptation Resources For General Music Teachers, Judy A. Doughty

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An Analysis Of Selected Band Works With Composer Perspective, Joshua J. Kumpula

Theses from 2008

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After the winter: Score and analysis, Daniel Cather

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Zen and the art of motorcycle maintenance: Score and analysis, Justin DeAngelo

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Teaching techniques: Suggested techniques in teaching music through performance in choir, Lee Ann M. Higginbotham

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Abstracts for the mind: A work in three movements for viola and orchestra, Crystal Johnson

Theses from 2006

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The importance of the conductor as editor and arranger: A practical guide, Matthew F. Walicke

Theses from 2005

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A study of the language and music in the songs of the Methodist Church, Robert J. Ford

Theses from 2002

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The Snow Queen: An Opera in Three Acts Based on a Story by Hans Christian Andersen, Elaine Fine

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Keyboard Basics: A Comprehensive Group Approach for Adults, Brenda Siefferman

Theses from 2001

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Symphony in One Movement: Score and Analysis, Jon Kostal

Theses from 1999

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Intelligentsia Suite: Score and Analysis, Charles Douglas Haarhues

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Guillaume de Machaut: Musician and Poet, Sharon S. Pearcy

Theses from 1998

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Overture for Chamber Band: Score and Analysis, Shinjung Kim

Theses from 1992

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Vocal Registration: History, Analysis, and Modern Pedagogical Applications, Patricia L. Finks

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Fabrications for Winds and Percussion: An Analysis, Douglas G. Nicholson

Theses from 1991

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Concerto for Oboe and Orchestra, Roseane Yampolschi

Theses from 1989

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Transcendent Journeys, Spiritual Frontiers and Analysis, Peter H. Fischer

Theses from 1988

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Concerto for Saxophone and Orchestra: Score and Analysis, Jonathan Clarke Schwabe

Theses from 1987

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A Survey of the Keyboard Prelude, Bonnie Fansler McArthur

Theses from 1985

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"Four Dreams": A Chamber Symphony, Richard Pauley

Theses from 1982

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A Stylistic Comparison of Six Twentieth Century Piano Sonatinas Written Between 1905 and 1950, Judith Marie Blakley

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Two Movements for Orchestra, Larry A. Cox

Theses from 1981

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A Practical Choral Edition of Motets from a Sixteenth Century Choirbook, Kathleen Rose Stone

Theses from 1977

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Samuel Sebastian Wesley--His Life and Music in Relation to the Nineteenth Century, Jean Logue

Theses from 1976

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A Selective Study of Negro Worksongs in the United States, Margaret E. Hilton

Theses from 1975

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A Manual of French and German Lute Notation, Elizabeth Carson

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Religious Change as an Influence on Sacred Musical Styles in Tudor England, Susan Hayes Hitchens

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Chamber Work, Larry Simpson

Theses from 1973

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A Transcription and Analysis of a Seventeenth-Century Bolognese Trumpet Sonata, Steven Bradfield

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The Secular Song of the Renaissance, John W. Rinesmith

Theses from 1972

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A Comparative Study of Selected Chorale Settings from Martin Luther to J.S. Bach, Emmanuel Mark Allen

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The aesthetics of Stravinsky's musical style: The relationship of culture and the arts, Rose M. Trahey

Theses from 1971

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A Structural Analysis Of The Symphony For Band By Vincent Persichetti, John P. Christie

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Charles E. Ives: Two Works Explored, Wallace G. Moon

Theses from 1970

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Three Concepts of the Sonata Principle, Gretchen van Sciver Tracy

Theses from 1969

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Sea-Night: A Cantata, Louis William Cowen

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A Comparative Study of Monteverdi's L'Orfeo and L'Incoronazione di Poppea, Hazel Beatrice Kennedy

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Music for Thirteen Instruments and Percussion, Yong Jin Kim

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A Trumpet Recital Analysis, Edgar H. Matthews

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A Piano Recital Analysis, Linda Sue Parker

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The Italian Renaissance and Elizabethan madrigal: A comparative study of chromaticism, Benjamin W. Thomas

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An Analysis And Transcription For Symphonic Band Of The Lieutenant Kije Suite, Op. 60 By Serge Prokofieff, Stephen Ivan Warble

Theses from 1968

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A Piano Recital Analysis, Mildred L. Beckemeyer

Theses from 1967

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Evaluation of Music Teacher Preparation at Eastern Illinois University: A Follow-Up of Graduates, Helen Jane Krehbiel

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The History of Music at Eastern Illinois University, 1899-1963, Sue Andra Lackey

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A Transcription of Maurice Ravel's Orchestral Suite, Ma mère l'Oye (Mother Goose), Anthony Mazzara

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Two Operas of Benjamin Britten: An Analysis of Style, Richard O. Scott

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A Study of the Solo Piano Works of Paul Creston, Carol L. Nelson Walgren

Theses from 1966

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The Songs of The Beggar's Opera, Carolyn Anfinson

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A Transcription for Band of the Minuet of "Will-O-The-Wisps," The Damnation of Faust, Chester John Balzer

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An Analysis of a Clarinet Recital, Charles Martin Ellis

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A Piano Recital Analysis, Sharon Juriga

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The Boy's Changing Voice: A Comparison of Theories, Richard D. Kruger

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A Study of the Music Curriculum in Secondary Education, Donald Neibel

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Analysis For Performance And Interpretation Of Selected Songs Of Debussy, Griffes, And Barber, Linda Kay Sperry

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A Flute Recital Analysis, Marcia G. Stilgebauer

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Selected Children's Songs by Master Composers, Carolyn Merz Thorne

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A Piano Recital Analysis, Elizabeth Van Voorhis

Theses from 1965

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A Trumpet Recital Analysis, Ted R. Black

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A Piano Recital Analysis, Seunghyun Choi

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A Transcription for Band of the First Movement of the Fourth Symphony Op. 63 by Jean Sibelius, James Edward French

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The Value of Religious Music in Music Education, Judith C. Pruemer

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A Study of Selected Choral Works of Randall Thompson, A. Dennis Sparger

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The Improvements of Brass Instruments from 1800 to 1850 Including Implications for Their Usage, Delmar T. Vollrath

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A Study of Representative Piano Works of Heitor Villa-Lobos, Judith Kay Voorhees

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A Study Of Selected Vocal-Choral Works Of Samuel Barber, Larry Donald Voorhees

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The Development Of The Saxophone As A Solo Instrument In The Orchestra, Joseph J. Wunar

Theses from 1964

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Evaluation of Intermediate Piano Literature, Beverly J. Boland

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A Chronological Study of Fugal Procedures in Keyboard Literature, Carole Ann Ingram

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A Tuba Recital Analysis, John A. Johnson

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A Clarinet Recital Analysis, Robert Juriga

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A Study Of The Solo Piano Music Of Dmitri Kabalevsky, Suellyn Lindsey

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A Trumpet Recital Analysis, John W. McFadden

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Concert Band Transcription of Romance, Opus 24, Number 9 by Jan Sibelius, Timothy Miller

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Suite for Flutes and Brass, Richard Richardson

Theses from 1963

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Developing a Musically Educated Person Through the Secondary School Band Program, Richard B. Boland