This page collects the digitized full text Masters Theses of the Department of Art at Eastern Illinois University. These theses include Art and Art with an Art Education option.

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Theses/Dissertations from 1987

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Image and Meaning in the Floral Borders of the Hours of Catherine of Cleves, Elizabeth R. Schaeffer

Theses/Dissertations from 1986

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So This Is Progress, Edmondson?, Simon William Edmondson

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Trying to Publish an Article on American Painter Thomas Eakins, Elise Hempel

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Integration of Visual Art with Other Subjects in the Illinois High Schools, Laura Lynn Pottala-Irle

Theses/Dissertations from 1985

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Surveying Computer Graphic Trends, Angela Bradley

Theses/Dissertations from 1984

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Aesthetic Experience as an Epistemological Concept, Patricia Avellano

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A Brief History of Metalworking Techniques on Armour, Cheryl M. Bannes

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A Study of Arts Education in the State of Illinois, Debbie J. Raymer

Theses/Dissertations from 1983

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Dreamworlds and the Art of Illustration, Donna Crotchett

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Post Object Art and Sociological Influences on the Internal Processes of Art Making, Steve Havens

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American Arts and Artists of the Twentieth Century: 1900-1941, Janet M. Ryan

Theses/Dissertations from 1982

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The Photograph and Superrealism, Christopher Stokes

Theses/Dissertations from 1981

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An Exploration of Intaglio Processes Influenced by the Woodblock Style of Utamaro, Lenore Branchaw

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The Influence of Structural Painters on My Work, Susan Crotchett

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Abstract Expressionist Ceramics: Peter Voulkos, Kenneth Price, John Mason, James J. Maher

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The Photograph and Photo-Realism in Painting, Nancy G. Odom

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Painting from Photographs, Judith A. Poynter

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Female Figure Study, Jason F. Rockhold

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Eva Hesse: Art, life and absurdity, Stella Tripp

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Homosexuality in Art, Julian P. Wade-Salisbury

Theses/Dissertations from 1980

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Surface Treatment of Metals, Dorothy Dunkirk-Bennett

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Expressionism for Painting Sports, John T. Graves

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Photo Realism, Maureen A. Howe

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The Use of the Blueprinting Process on Fiber, Lisa D. Larson

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Two Sculptural Fabrications That Utilize Tension, David Robert Olson

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An Approach to Metalsmithing and Its Correlation to Specific Drawings, Susan Isabel Randall

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The Work of Brian Sullan in Relation to Contemporary Non-Objective Painting, 1979-1980, Brian Sullan

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Cezanne, the Unknowing Father of Modern Art, David Thomas

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An Approach to Wire Using Textile Techniques, Toni Vallette-Satterfield

Theses/Dissertations from 1979

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Woman, a Vehicle of Visual Expression in Contemporary Times, Tamara C. Bogue

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Influences on the Collage of Ken Brewer, Ken Brewer

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Low-Fire Salt-Glazing, Rhonda M. Cearlock

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Fundamental Aspects of a Metalsmithing Career, James Walter Johnson

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The Ritual of Torero, Harbert J. Jones

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Technician-Potter Versus Artist-Potter, Diann Marie O'Brien

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The Photograph as a Model in Painting, Denise Dale Plumlee

Theses/Dissertations from 1978

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Personal Experimentation in Drawing, Bennie L. Drake Jr.

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Cone 5 - 6 Crystalline Glazes, Barry W. Kishpaugh

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Investigations on the Altered Plane as a Creative Element in the Visual Arts, Stephen J.T. Powell

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One Artist’s Experimental Approach To Sculpture, John J. Smith IV

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Three Essays on the Reality of Art, Brent A. Sparlin

Theses/Dissertations from 1977

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David Hockney, Brian Bartlett

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A Philosophy of Art, Robert Erickson

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The Inevitability of Abstract Expressionism in America, Brenda Hawtin

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Selected Poems of Abdul Ghafar Ibrahim, Abdul Ghafar Ibrahim

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The Three-Dimensional Image of Chance, Calvin Alexander McFarlane

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Paint Application: Theories and Techniques, Nancy King Mertz

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Objectivity and New Realist Painting, Jacky Palman

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Cold Connections as Used by the Metalsmith and Sculptor, Deborah A. Rohr

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Three American Women Artists, Cynthia Lenore Stansil

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Problems of Community Museum, Peter Velez

Theses/Dissertations from 1976

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Ruth Twigg Carr: A Visual Interpretation, Belinda Carr Beccue

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Fibers and Fabrics in Stuffed Sculpture, Carol Ann Haskell Kessler

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Surrealism and Abstract Expressionism, Michael R. Robins

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An Investigation into Art Preparation for Teachers of Mentally Handicapped Children, Larry D. Wilson

Theses/Dissertations from 1975

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Linoleum Printmaking: Its Various Methods, Judd Eugene Caraker

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The Use of Fiber to Create Sculptural Forms, Christine Danner

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Metal as a Decorative and Structural Element in Wood Sculpture, Gordon F. Disharoon

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The Steel Sketch in Monumental Scale, Ronald James Gregoire

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Collagraphy: A Synthesis of Color and Texture, Maralyn Mencarini

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The Pottery Industry of Tazewell County, Illinois, Alice Ann Reif

Theses/Dissertations from 1974

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Beyond Noah's Arc, Ten Panel Polyptych, Dennis D. Berger

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Reconstruction of Childhood Nostalgia Using Mixed Media, William H. Christ Jr.

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Symbolic Meaning in the Objects of Robert Rauschenburg and Jasper Johns, Jacqueline Crouch

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Eight Teacher-Potters, Bob Daugherty

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Acrylic Sheet in Combination with Other Plastics as a Personal Art Form, Olga K. Durham

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A Comparative Analysis of Selected Twentieth Century Watercolorists, Bonnie L. Ferguson

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Tradition in American Realism, George L. Ganley

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The Adaptability of Aluminum-Plate Lithography to Eastern Illinois University, Nancy Sue Jones

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Experience as Art Form, Karen Karabasz

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The Photo-Image: Its Transformation and Reformation, John Lim

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The "Illuminusion" Concept, Ray Murman

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The Stations of the Cross: A Personal Interpretation, Roy Rusty E. Smith II

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Borrowed Images: Work in Color Separation Photo Serigraphy, Eugene Arnold Staudt

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Sculpture Through Interchangeable Boxes, Dale Wisniewski

Theses/Dissertations from 1973

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A Survey of Sport as an Art Form, R. Garey Hodge

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Etching as an Embellishment Technique in Metalsmithing, Michael B. Riegel

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The Sequential Development of Decorative Forms and an Analysis of Sculptures Produced During the Final Stage, Larry Edward Sluder

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A Study of the Retarded in Relation to Their Ability to Perceive and Acquire Knowledge of the Basic Elements of Art, Tony J. Taylor

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Landscapes Unique: Manuscripts to Paranoics, Mark Alan Trumper

Theses/Dissertations from 1972

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Polystyrene and Urethane Foams in Sculpture, Victor C. Connor

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Research into the Development of Collage through Certain Works of Georges Braque, Pablo Picasso, and Kurt Schwitters, Noel P. Cummins

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Experimental Approaches with Multi-Media Textures in Weaving, Diantha Greenwood

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Social Comment in Art, Robert David Griffith

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The Exploration and Utilization of Unpredicted Movement in Kinetic Sculpture, Relying on Wind as a Natural Force, Using Metal Rod and Cloth Sails as the Medium, Gary A. Grohmann

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My Magic Moonscapes, Larry Karch

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A Comparative Study of the Systems Approach to Teaching and Learning and the Traditional Approach to Teaching and Learning as Applied to Art Education, Thomas R. Littrell

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Edvard Munch: Motifs and Motivations, Gordon Moffett

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A Personal Relationship to the Development of Drawing into the Cartoon Form, V. Gene Myers

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An Automatic-Response Approach to Drawing, Clyde W. Sims Jr.

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Some Observations on Drawing Facial Expression, Pamela Fae Slater Uptmor

Theses/Dissertations from 1971

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The Dynamics of Figure Ground Relationships When the Ground Is Emphasized, Russell Dean Benjamin

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Dominant Aesthetic Influences Affecting My Work as an Artist, Noel Kenneth Heffley

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The Phenomenologically Perceived Symbolic Structure of the Work of Steven Huff Keplinger, Steven Huff Keplinger

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A Study on the Concept and the Painting of Trees in Art, Charles F. Linderman

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An Investigation of Certain Aspects of Embellishment with Wire, Elizabeth A. Rickmeyer

Theses/Dissertations from 1969

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A Study of Motivational Approaches for Use in the Transition Period from Childlike to Adolescent Art, Linda Hance

Theses/Dissertations from 1967

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A Comparative Study of the Concept of Man as Revealed in the Works of Certain Contemporary Painters, Larry S. Barnfield

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Children's Emotional Response to Color, Rodney H. Buffington

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A Study of Color Reactions and Preferences of Certain Seventh and Eighth Grade Students, Gerald Lee Norris