Theses from 1987
Image and Meaning in the Floral Borders of the Hours of Catherine of Cleves, Elizabeth R. Schaeffer
Theses from 1986
So This Is Progress, Edmondson?, Simon William Edmondson
Trying to Publish an Article on American Painter Thomas Eakins, Elise Hempel
Integration of Visual Art with Other Subjects in the Illinois High Schools, Laura Lynn Pottala-Irle
Theses from 1985
Surveying Computer Graphic Trends, Angela Bradley
Theses from 1984
Aesthetic Experience as an Epistemological Concept, Patricia Avellano
A Brief History of Metalworking Techniques on Armour, Cheryl M. Bannes
A Study of Arts Education in the State of Illinois, Debbie J. Raymer
Theses from 1983
Dreamworlds and the Art of Illustration, Donna Crotchett
Post Object Art and Sociological Influences on the Internal Processes of Art Making, Steve Havens
American Arts and Artists of the Twentieth Century: 1900-1941, Janet M. Ryan
Theses from 1982
The Photograph and Superrealism, Christopher Stokes
Theses from 1981
An Exploration of Intaglio Processes Influenced by the Woodblock Style of Utamaro, Lenore Branchaw
The Influence of Structural Painters on My Work, Susan Crotchett
Abstract Expressionist Ceramics: Peter Voulkos, Kenneth Price, John Mason, James J. Maher
The Photograph and Photo-Realism in Painting, Nancy G. Odom
Painting from Photographs, Judith A. Poynter
Female Figure Study, Jason F. Rockhold
Eva Hesse: Art, life and absurdity, Stella Tripp
Homosexuality in Art, Julian P. Wade-Salisbury
Theses from 1980
Surface Treatment of Metals, Dorothy Dunkirk-Bennett
Expressionism for Painting Sports, John T. Graves
Photo Realism, Maureen A. Howe
The Use of the Blueprinting Process on Fiber, Lisa D. Larson
Two Sculptural Fabrications That Utilize Tension, David Robert Olson
An Approach to Metalsmithing and Its Correlation to Specific Drawings, Susan Isabel Randall
The Use of Thorsen’s Primary Individual Language Screening Test as a Language Assessment Tool, Susan K. Sanders
The Work of Brian Sullan in Relation to Contemporary Non-Objective Painting, 1979-1980, Brian Sullan
Cezanne, the Unknowing Father of Modern Art, David Thomas
An Approach to Wire Using Textile Techniques, Toni Vallette-Satterfield
Theses from 1979
Woman, a Vehicle of Visual Expression in Contemporary Times, Tamara C. Bogue
Influences on the Collage of Ken Brewer, Ken Brewer
Low-Fire Salt-Glazing, Rhonda M. Cearlock
Fundamental Aspects of a Metalsmithing Career, James Walter Johnson
The Ritual of Torero, Harbert J. Jones
Technician-Potter Versus Artist-Potter, Diann Marie O'Brien
The Photograph as a Model in Painting, Denise Dale Plumlee
Theses from 1978
Personal Experimentation in Drawing, Bennie L. Drake Jr.
Cone 5 - 6 Crystalline Glazes, Barry W. Kishpaugh
Investigations on the Altered Plane as a Creative Element in the Visual Arts, Stephen J.T. Powell
One Artist’s Experimental Approach To Sculpture, John J. Smith IV
Three Essays on the Reality of Art, Brent A. Sparlin
Theses from 1977
David Hockney, Brian Bartlett
A Philosophy of Art, Robert Erickson
The Inevitability of Abstract Expressionism in America, Brenda Hawtin
Selected Poems of Abdul Ghafar Ibrahim, Abdul Ghafar Ibrahim
The Three-Dimensional Image of Chance, Calvin Alexander McFarlane
Paint Application: Theories and Techniques, Nancy King Mertz
Objectivity and New Realist Painting, Jacky Palman
Cold Connections as Used by the Metalsmith and Sculptor, Deborah A. Rohr
Three American Women Artists, Cynthia Lenore Stansil
Problems of Community Museum, Peter Velez
Theses from 1976
Ruth Twigg Carr: A Visual Interpretation, Belinda Carr Beccue
Fibers and Fabrics in Stuffed Sculpture, Carol Ann Haskell Kessler
Surrealism and Abstract Expressionism, Michael R. Robins
An Investigation into Art Preparation for Teachers of Mentally Handicapped Children, Larry D. Wilson
Theses from 1975
Linoleum Printmaking: Its Various Methods, Judd Eugene Caraker
The Use of Fiber to Create Sculptural Forms, Christine Danner
Metal as a Decorative and Structural Element in Wood Sculpture, Gordon F. Disharoon
The Steel Sketch in Monumental Scale, Ronald James Gregoire
Collagraphy: A Synthesis of Color and Texture, Maralyn Mencarini
The Pottery Industry of Tazewell County, Illinois, Alice Ann Reif
Theses from 1974
Beyond Noah's Arc, Ten Panel Polyptych, Dennis D. Berger
Reconstruction of Childhood Nostalgia Using Mixed Media, William H. Christ Jr.
The Life of Dr. Maynard "Pat" O'Brien and His Professional Contributions to Eastern Illinois University in the Areas of Physical Education and Athletics, John Melvin Craft
Symbolic Meaning in the Objects of Robert Rauschenburg and Jasper Johns, Jacqueline Crouch
Eight Teacher-Potters, Bob Daugherty
Acrylic Sheet in Combination with Other Plastics as a Personal Art Form, Olga K. Durham
A Comparative Analysis of Selected Twentieth Century Watercolorists, Bonnie L. Ferguson
Tradition in American Realism, George L. Ganley
The Adaptability of Aluminum-Plate Lithography to Eastern Illinois University, Nancy Sue Jones
Experience as Art Form, Karen Karabasz
The Photo-Image: Its Transformation and Reformation, John Lim
The "Illuminusion" Concept, Ray Murman
The Stations of the Cross: A Personal Interpretation, Roy Rusty E. Smith II
Borrowed Images: Work in Color Separation Photo Serigraphy, Eugene Arnold Staudt
Sculpture Through Interchangeable Boxes, Dale Wisniewski
Theses from 1973
A Survey of Sport as an Art Form, R. Garey Hodge
Etching as an Embellishment Technique in Metalsmithing, Michael B. Riegel
The Sequential Development of Decorative Forms and an Analysis of Sculptures Produced During the Final Stage, Larry Edward Sluder
A Study of the Retarded in Relation to Their Ability to Perceive and Acquire Knowledge of the Basic Elements of Art, Tony J. Taylor
Landscapes Unique: Manuscripts to Paranoics, Mark Alan Trumper
Theses from 1972
Polystyrene and Urethane Foams in Sculpture, Victor C. Connor
Research into the Development of Collage through Certain Works of Georges Braque, Pablo Picasso, and Kurt Schwitters, Noel P. Cummins
Experimental Approaches with Multi-Media Textures in Weaving, Diantha Greenwood
Social Comment in Art, Robert David Griffith
The Exploration and Utilization of Unpredicted Movement in Kinetic Sculpture, Relying on Wind as a Natural Force, Using Metal Rod and Cloth Sails as the Medium, Gary A. Grohmann
My Magic Moonscapes, Larry Karch
A Comparative Study of the Systems Approach to Teaching and Learning and the Traditional Approach to Teaching and Learning as Applied to Art Education, Thomas R. Littrell
Edvard Munch: Motifs and Motivations, Gordon Moffett
A Personal Relationship to the Development of Drawing into the Cartoon Form, V. Gene Myers
An Automatic-Response Approach to Drawing, Clyde W. Sims Jr.
Some Observations on Drawing Facial Expression, Pamela Fae Slater Uptmor
Theses from 1971
The Dynamics of Figure Ground Relationships When the Ground Is Emphasized, Russell Dean Benjamin
Dr. Charles P. Lantz: Eastern Illinois University 1911-1952, Charles F. Flamini
Dominant Aesthetic Influences Affecting My Work as an Artist, Noel Kenneth Heffley
The Phenomenologically Perceived Symbolic Structure of the Work of Steven Huff Keplinger, Steven Huff Keplinger
A Study on the Concept and the Painting of Trees in Art, Charles F. Linderman
An Investigation of Certain Aspects of Embellishment with Wire, Elizabeth A. Rickmeyer
Theses from 1969
A Study of Motivational Approaches for Use in the Transition Period from Childlike to Adolescent Art, Linda Hance
